The Lotz Ghetto Photographs of Henryk Ross

I spend some time with this book over the weekend and found an excerpt I felt worthy of sharing. The book itself is immensely powerful in both photographic aesthetic and historical significance. For 3 years during WWII, photographer Henryk Ross documented the Nazi expansion into the second largest jewish ghetto in Poland, the Łódź Ghetto.

Purchase: 'Memory Unearthed' | $29.42

Memory Unearthed

Book Summary

From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910–1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto in Poland. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived.

Memory Unearthed presents a selection of the nearly 3,000 surviving images—along with original prints and other archival material including curfew notices and newspapers—from the permanent collection at the Art Gallery of Ontario. Ross’s images offer a startling and moving new representation of one of humanity’s greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished.

Creation by Omission

In the film industry it's an editors job to create by omission.Much like a sculptor, an editor takes the materials and mediums given to him/her and removes all that is not conducive to the final vision. An editor has the ability to manipulate time, while a photographer has the ability to freeze it. Both using their artistry to sculpt a story.

As an editor and a photographer for over a decade, I found a passage in this book that particularly stood out. Here is an excerpt from Memory Unearthed page 176 that really details these points quite eloquently:

"By choosing a moment in time, the photographer is rejecting all other moments, whether past or future. Photography is an editing medium. When a photographer frames up an image, he is editing reality - excluding everything below the frame line, everything above it and all to the right and left.
Significance is ascribed only to what is bounded by the four edges of the frame. It's like pointing, but more precise and permanent. And it has more authority...
... A painter can seduce with a glistening brush stroke; a photographer has only form, content and time. Photography has an apparent facility, but doing brilliantly - being original and telling a story well - is a major challenge.